REVIEW: The Barber of Seville at Regent Theatre

Review by Jesse Oey

Showing as part of Opera Australia’s 2025 Melbourne Season, “The Barber of Seville” confidently bursts onto the stage at the iconic Regent Theatre, with its heritage grandeur serving as the perfect backdrop for this contemporary take on Rossini’s centuries-old classic.

From the get-go, it’s clear this production is here to entertain. A riotous, truly delightful remake that blends reverence for Rossini’s original composition - and highlighting his signature crescendo - with a modern flair.

Samuel Dundas is nothing short of magnetic as mischievous barber and scheming extraordinaire Figaro. His comedic timing is razor-sharp, utterly captivating. His rich, agile baritone voice commands the stage with outstanding presence. Through Dundas’ interpretation, Figaro comes to life with effortless charm, complete with an ever-present playful grin that makes every plot twist feel like a personal joke shared with the audience.

Helen Sherman is a joy to watch as flirty, stubborn Rosina. Sherman gives the character a modern edge as clever co-conspirator to Figaro’s scheming ways, bringing her own sly wit and irresistible presence. Her soprano is warm and expressive, soaring through the score’s ornamented passages with clarity. As Count Almaviva in disguise, Shanul Sharma disappears into the role earnestly. His tenor voice is clear and emotive, conveying a genuine sense of longing and affection especially palpable when sharing the stage with Sherman’s Rosina.

The dynamic ensemble cast is a comedic force, led by Andrew Moran as grouchy, obstinate Dr Bartolo and David Parkin’s hilariously clumsy Don Basilio. Their scenes are a masterclass in operatic slapstick, delivered in rapid-fire successions of physical comedy and vocal interplay that had the audience roaring with laughter.

Visually, the production is a feast for the eyes. The show’s vibrant set design by Michael Yeargan - inspired by silent films and with a whimsical, life-sized dollhouse as its centrepiece - is bursting with colour. Howard Harrison’s lighting design vividly illuminates the stage with detail, enhancing the plot’s many dramatic turns. Plus, costume design by Dona Granata blends period elegance with a playful twist that perfectly complements the staging.

Under the commanding baton of conductor Tahu Matheson, the magnificent Orchestra Victoria dazzles with precision, always flawlessly in sync with the cast’s comedic beat. A standout moment comes during the storm sequence towards the finale, where booms of thunder and whistling winds are brought to life using musical instruments and sheets of metal.

Overall, this fresh incarnation of “The Barber of Seville” is a joyous celebration of a timeless operatic masterpiece. Opera Australia continues to champion the art form with flair, expanding its appeal to a modern audience while steadfastly honouring its rich, centuries-old traditions. A truly delightful showing.

Image credit: Opera Australia