Review: School of Rock at National Theatre

Review by Liz Baldwin

Theatrical’s charming production of School of Rock at The National Theatre, St Kilda, is perfect for fans and families alike.

School of Rock began life as the hit 2003 film directed by Richard Linklater and written by Mike White, starring Jack Black as the hapless but lovable rocker Dewey Finn. The film became a cult classic for its mix of anarchic humour, heart, and genuine musical talent. In 2015, Andrew Lloyd Webber adapted it for the stage, adding original songs (with lyrics by Glenn Slater). The result is a high-voltage musical that brings the story’s infectious spirit and youthful rebellion to life.

The story follows Dewey Finn, an out-of-work musician who poses as a substitute teacher at a prestigious prep school. When he discovers the musical potential of his students, he transforms the classroom into a rehearsal studio, forming a rock band that challenges authority and celebrates self-expression. 

This production, directed by Cody Riker, is charming because of the winning performances of its young cast, and a high-energy, engaging turn from its lead, John Yanko. Yanko brings a mix of manic energy and warmth to Dewey, balancing the character’s chaotic enthusiasm with genuine affection for his students. His comic timing and physicality are excellent, and his rapport with the young cast gives the show its heart.

The young performers showed admirable skill and aplomb. Their big ensemble numbers — “You’re in the Band” and “Stick It to the Man” — were fun to watch, evoking Matilda with their embrace of youthful rebellion and great choreography.

Several stood out for their musical chops, delivered with winning charm. Ethan Nigli was a scene-stealer on drums, full of attitude and skill. Jing Tao impressed on keys, while Caleb Nigli held down the rhythm on guitar with poise beyond his years. And Ayda Melody Hendricks was full of self-assurance and zest as Summer, the gold-star-loving teacher’s pet who becomes the band’s secret weapon. 

Among the adults, Dylan Crawley makes a welcome return to the stage, full of nerdy comedic charm as Ned Schneebly, while Imogen Alexander played his much-put-upon girlfriend Patty with alacrity.

The live band, led by musical director Mal Fawcett, anchors the show with punch; the music drives this story. Set design was detailed and evocative — when you find yourself noticing the fridge in the staff room or the posters on Dewey’s bedroom wall, you know the design team has gone above and beyond.

A few elements could have used more polish. The frequent scene changes, each requiring a full reset, sometimes disrupted the show’s flow. And while the children’s bright red school blazers looked terrific en masse, the costuming of the adults felt haphazard, missing an opportunity to underscore the contrast between Dewey’s chaos and the uptight world around him.

But these are minor quibbles in a production with a lot of heart. School of Rock at The National Theatre delivers exactly what it promises: some laughs, great music, and a joyful reminder that sometimes breaking the rules can be the most educational experience of all.

Image Credit: Natalie Edge