Review by Nola Bartolo
Have you ever felt compelled to run? To run away from the desperation, the sadness, or the guilt and shame of your heritage. The pull on your heartstrings can be soft and sweet like the sensuous sound of the oud. Or not so soft sometimes. This is what “Karim” did for me. It pulled on my heartstrings like the oud.
Sydney’s vibrant theatre scene is once again graced by the talents of "one of Sydney’s most exciting young writers" (Time Out), James Elazzi, as he premieres his latest work, "Karim," at the National Theatre of Parramatta (NTofP). Elazzi, a three-time nominee at the NSW Premier’s Literary Awards, continues to captivate audiences with his unique blend of humour and tenderness, exploring themes of family ties and generational divides.
From the minute you take your seat, you know that you are going to witness something special. Set against the backdrop of rural New South Wales, "Karim" delves into the lives of its titular character and those around him. Karim and Beth dream of escaping their small town, while Joe, Karim’s dad, scavenges for treasures to make ends meet, Kaye, Beth’s mum is too busy fighting her demons, and Abdul offers his heart and home to Joe and Karim whilst in need. The discovery of an oud, a traditional Middle Eastern instrument, propels Karim toward a destiny he never imagined.
Elazzi’s narrative is enriched by a stellar cast, featuring Youssef Sabet, Jane Phegan, Alex Malone, Andrew Cutcliffe, and George Kanaan. Their performances bring depth and authenticity to the characters, making their struggles and dreams palpably real. The chemistry between the actors is undeniable, drawing the audience into the intimate world they inhabit.
The standout performances were from George Kanaan and Jane Phegan. George gave Abdul a generous tenderness and his connection to Karim was rock solid. Jane as Kaye showed powerful grit and vulnerability. Her energy with Alex Malone was heartfelt and honest. All the cast brought something unique to their roles. I believed Youssef when he described the way he felt disconnected from his Lebanese heritage. I personally have been on that journey. That is what makes "Karim" a great play. Alex, as Beth who is Karim’s only friend, brought to her performance a sweet innocence and then commanded our attention as she confronted her own traumas with her mother Kaye. Let’s not forget Andrew Cutcliffe and his performance as Karim’s father Joe, a man who clearly was living day to day just trying to keep the shirt on his back and a roof over his and Karim’s head. But at what cost? Cutcliffe was clinical and truthful in his delivery.
The production’s design elements further elevate the storytelling. James Browne’s set and costume design create a tangible sense of place, transporting the audience to the rural outskirts of New South Wales. Aimée Falzon’s evocative compositions and sound design, paired with Frankie Clarke’s moody lighting, seamlessly enhance the emotional landscape of the play.
Elazzi’s directorial debut, co-directed with Shane Anthony, showcases his prowess not only as a playwright but also as a director. The seamless collaboration between the two directors ensures that the pacing and tone of the play are meticulously crafted, balancing moments of humour with poignant reflection. They succeeded.
NTofP’s commitment to nurturing local talent and telling untold stories is evident in this production. Executive and Creative Producer Joanne Kee’s vision of showcasing Western Sydney’s rich and diverse narratives comes to life in "Karim." The play’s exploration of migration, cultural heritage, isolation, and the fragility of hope resonates deeply, offering a glimpse into a world where family loyalties are both demanded and tested.
To be fortunate enough to review plays is not lost on me. But when I have the chance to review a play that is Lebanese Australian, it really excites me to be able to relate on a cultural level that I don’t often get. James Elazzi has a way with words that, when spoken, can touch the hearts of the audience and remain with them long after the show is over.
James Elazzi’s "Karim" is a testament to his growing legacy as a playwright. His ability to weave complex characters and compelling narratives ensures that audiences are not merely spectators but participants in the emotional journeys unfolding on stage. This world premiere is a triumph for Elazzi and the National Theatre of Parramatta, affirming their place at the forefront of Sydney’s dynamic theatre landscape.
For those seeking a theatre experience that combines heartfelt storytelling with exceptional performances, "Karim" is an unmissable production. It runs at The National Theatre of Parramatta from 25th July, and tickets are bound to sell fast. Don’t miss the chance to witness the latest work from one of Sydney’s most promising playwrights.
Image Credit: Philip Erbacher