Review by Jesse Oey
Showing at Melbourne’s historic National Theatre in St Kilda, not-for-profit musical theatre company Theatrical has staged a new local production of beloved 70s musical ‘A Chorus Line’.
This universally-acclaimed Broadway classic explores the bittersweet plethora of tension, triumphs, joy, and raw emotions experienced by a group of dancers vying for spots on a chorus line.
Under the guidance of Director Tahra Cannon, the essence of the show was brought to life through a harmonious blend of sincerity, familiarity and enthusiasm that made for an engaging evening. Recognisable glimpses of original choreography – respectfully adapted by choreographer Louise Panagiotidis - beautifully complemented the musical’s emotive score.
Julian Dods stars as imperious showrunner Zach, leading a vibrant international cast whose palpable talent, easy chemistry and infectious warmth resonated throughout the performance.
Charming, vivacious Jerome Eccleston kicked off the first of the evening’s laughs as Bobby, delivering a lively monologue interwoven with a rendition of “And…” sung by the company under alternating spotlights.
Caitlyn Serong brought a delightful, confident energy as the ambitious Val, executing “Dance: Ten; Looks: Three” cheerily with charisma and conviction. Nathan Fernandez delivered a delicate, sensitive performance as Paul, while Manda Rozen-Flannery’s take on sassy, sarcastic Sheila provided a suitable contrast, delivering one-line zingers with ease.
Teresa Giansiracusa shone brightly as Diana, channeling the character’s relentless focus and determination. Giansiracusa’s strong vocals led the cast’s heartfelt performance of "What I Did for Love” - which was delivered beautifully with genuine, touching sincerity.
Madeline Pratt was utterly captivating as struggling star Cassie, embodying her character’s anguish and desperate eagerness to start over with conviction. Her spectacular solo performance of “The Music and the Mirror” delivered the night’s definite showstopping highlight, drawing rapturous applause from the 700-strong audience.
Unfortunately, the opening night was plagued with moments of uneven pacing and sound issues especially noticeable in the first act, which occasionally muddled important dialogue and impacted the overall musical clarity of the performance. Plus, Dods’ subdued portrayal of Zach, the director, whilst faithful to its source material, admittedly lacked the authority it needed and at times felt a little underwhelming.
However, despite these minor setbacks, the production overall succeeded in capturing the very essence of a Broadway audition: its fears, joys, and intense emotional stakes intertwining with the hopes, dreams, and the underlying motivations driving the characters’ actions.
The show’s ability to connect with its audience is a testament to the talent and dedication of the entire cast, fostered by the supportive atmosphere of community theatre.
Overall, this local production of ‘A Chorus Line’ was a commendable effort, memorably showcasing the power of showmanship in bringing people together and celebrating the art of performance. The show’s ability to connect with its audience is a testament to the team’s vibrant energy.
Image Credit: Nicole Cleary
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