IN THEIR FOOTSTEPS
BY ASHLEY ADELMAN AND INFINITE VARIETY PRODUCTIONS
Photographer: Becky Matthews
It’s been 50 years since thousands of young American women served their country in Vietnam, and their stories have remained largely untold... until now.
Based on the true accounts of five extraordinary women, ‘In Their Footsteps’ explores the experiences of women working in war zones, their struggles to be recognised heroes, their loss of faith and the friendships they forged in the face of trauma.
This deeply moving, time traveling piece brings us a better understanding of the Vietnam experience from a uniquely female perspective. It tells us of jobs that have been long overlooked, particularly of civilian jobs in the war that receive, not only no fanfare, but no recognition of service either. It reminds us of the long-term pain, horrors and specifically health implications of serving your country during the Vietnam War.
More than anything, it reminds us of the histories we hear...and importantly, the ones that we don’t.
Sixty-seven American Women died in the Vietnam War. Only eight have been recognised with their names inscribed on the Vietnam Veterans Memorial Wall in Washington, D.C. These women, and many of the other 11,000 American women who participated in the war efforts between 1956 and 1975 remain hidden figures. Women who served and played a critical role in sustaining the national effort, and as medical personnel, whilst often facing sexism in the field, and the well documented disparagement from home.
Theatre Travels is proud to bring this show for its Australian premiere production and to be the first international cast worldwide to perform Ashley Adelman and Infinite Variety Productions beautiful piece of Verbatim Theatre. This show debuts in Sydney after successful runs Off-Broadway and at the Edinburgh Fringe Festival.
17-20 March 2021
Chippen Street Theatre, Sydney
Produced as part of the 2021 NO: INTERMISSION Festival
Nola is an Australian film and television actress of Lebanese descent whose heart belongs to the stage. As an avid theatre performer, who attended UNSW Bachelor of Arts majoring in Theatre and Film, Nola played the lead roles in FURY (2018) and The Odd Couple (2019).
She has a range of experience from film and television to directing and co-writing a short film, Possum62 in 2008. She featured in the short film Tea for Two - Directed by Jonas McLellan in 2004.
Her noteworthy television roles were in Doctor Doctor in 2016 and more recently Channel 7’s Sunday Night show cast her in the reenactments of two of their lead features; one of which being the story of a mother lost in the bush with her son for days on end; wherein Nola immersed herself in some very honest emotions, which she was able to draw on to recreate this event. (2018)
Nola has starred in commercials for big brands; KFC (2017) and TAB (2018)
She is fluent in English and Arabic.
Rowena was born in Los Angeles, California. She was a student at Santa Monica City Collage and subsequently accepted a scholarship to Southern Illinois University in the US to compete on their prestigious gymnastics team. That team won the National Championships in her final year at SIU.
Rowena’s love of the arts and in particular the stage has seen her participating in small amateur projects from time to time over many years. Some of her roles include Tituba from The Crucible, various parts in the Deadly Women TV series and television commercials work.
Rowena brings life experiences to this role having lived through the Vietnam war and watched many of her contemporaries be dragged away to that conflict, some of them never to return. She is also an accomplished violinist, studio artist, educator and Herbalist.
Rowena immigrated to Australia in 1972.
Trained as an actor and a theatre voice/accents and dialects specialist, Linda has worked in the Industry for over 20 years.
Recent acting credits include: Ex-Girlfriend in Once at Darlinghurst Theatre Company and multiple character voices for Hyde Park Barracks museum experience and will be seen later this year on Channel 72’s science program for children Get Clever. Linda played Marge Murray and Judy Shepard in The Laramie Project/ The Laramie Project: 10 Years Later for Theatre Travels, Polonius/Stage Manager in Håmlet with Ban Shakespeare at Bondi Feast, Susan in One Way Mirror with Subtlenuance, and as various characters for the 2018 KXT Storytellers festival, she appeared as ‘Coach’ in the independent feature film Zoe.Misplaced.
In 2019 Linda was dialect coach for: Shrek - The Musical (GFO), Little Miss Sunshine, I’m With Her, Kasama Kita, Good Dog, Baby Doll, Table, Once, Hitler’s Daughter, Mercury Fur, Cypress Ave, Saturday Night Fever, Russian Transport, The last 5 Years, Grounded, The Crucible, The Rise and Fall of Little Voice, Counting and Cracking and two short films The Hollow and Vincent. She also directed two short plays: Toxic by Maryanne Lynch and You Still Here by Patricia Cornelius. Other Theatre credits include Love, Maggie Stone, The Humans, Torch Song Trilogy, The Walworth Farce, A Girl is a Half-Formed Thing, DNA, and Home Invasion. Linda has also coached for large mainstage productions such as Dreamworks’ How to Train Your Dragon Arena Spectacular, The Bodyguard, Rocky Horror and Dirty Dancing. Film: Crouching Tiger Hidden Dragon 2, Jungle, and Book Club. Television: Mary – The Making of a Princess, The Chase Australia. She directed Pramkicker by Sadie Hasler at its Sydney premier in October 2018.
Linda can be heard talking about the Australian accent on the podcast In A Manner of Speaking and about the voice in general on the podcast’s Brady’s Hunch and Don’t Be So Dramatic.
Suzann discovered her love for stage performance whilst living in Hong Kong. Her experiences included productions with the Hong Kong Players, American Theatre Company and the Hong Kong Singers.
Returning to New Zealand, she studied performing arts at the National Academy of Singing and Dramatic Art, then after several years of working in Auckland, she jointly founded The Unreal Theatre Company. Her acting career has encompassed musicals, film and television as well as stage, but theatre remains her favourite.
Since moving to Sydney, from 2017, Suzann’s stage credits include Letitia Blacklock in A Murder is Announced for Genesians, Alice in The Big Meal for The Depot, Kate Jerome in Broadway Bound for The New, Jennifer Jones in The Realistic Joneses for Limelight, Lyubov Ranevskaya in The Cherry Orchard for Virginia Plain, Helena and TV Host in A Deal for Flying House and Claire in A Delicate Balance for Sydney Classic.
Her screen credits include Shortland Street and Filthy Rich in NZ and several short films here including ‘A Conversation’, winner of Best International Film at the 2019 Prodigy Film Awards in which she was nominated for Best International Actress.
Suzann is very much looking forward to working with this wonderful ensemble bringing to light these incredible women’s stories.
Sonya Kerr is a graduate of The Flinders University Drama Centre in South Australia. She has worked extensively in Melbourne and Sydney, appearing in both stage and screen roles. Her theatre credits include: WPC Parker/Hilary, The Angry Brigade, Ivy, August: Osage County, Gail/Kelly/Mel/Sam, Next Lesson, Joan, Dinkum Assorted for The New Theatre, Lady Mcduff/Meneith/Bloody Captain, Macbeth and Duke Frederick/Corin/Hymen As You Like It for SheShakespeare, Kat, Seed Bomb, Donna, One Way Mirror, The Net A Quiet Night in Rangoon, Anne, Lucy Black, Erica, Cristina in the Cupboard , Eclectic Girl, Shut Up and Drive for Subtlenuance, Titania, A Midsummer Night’s Dream for 63 Globes, Lady Macbeth, Macbeth, Norma, The Auxiliary for Phrankly Theatre - Melbourne, Dom, A Moment on the Lips for Mad March Hare, Catherine Winslow, The Winslow Boy for The Genesian Theatre, The Girl, The Ham Funeral for Sibils, Gabrielle, Appropriation for Fledgling Theatre.
She has also appeared in several short films, including the award winning Work Mate with Bus Stop Films. Sonya was one of the creators and hosted Kapow: Comics, Cartoons and Collectables, Australia's largest online comic book review show.
ASHLEY ADELMAN: PLAYWRIGHT
Ashley Adelman received her BFA from NYU TISCH and her MFA from The Actors Studio Drama School. Ashley specializes in documentary theatre focused on stories from women's history. Her play In Their Footsteps has been performed all around NYC, as well as around the country for The Women Overseas Service League in San Antonio, The Borderlight Fringe in Cleveland, and JMCC. The production also had great success in Edinburgh Fringe and will be heading back to Europe next November for a production not yet announced. Her other works such as Nellie and The Women of Blackwell has been commissioned for an immersive theatre run in downtown NYC. The work is based on the undercover reporter Nellie Bly who went into the lunatic asylum to expose the horrid conditions. Lastly, Ms. Adelman's play about a family who seeked asylum from Hitler and then the Japanese invasion once they had immigrated to the Philippines is set to go up in NYC as part of The Estrogenius Festival in March 2020. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
Ashley owns her own theatre company and is a proud resident of FringeNYC and is honored to have such an incredible group of artists around her. And a huge thank you to all those who trust her with their stories. To learn more about Ms. Adelman or her theatre company “Infinite Variety Productions” head to www.infinitevarietynyc.org
CARLY FISHER: DIRECTOR
Carly is the Founder and Artistic Director of Theatre Travels.
As a producer, Carly is passionate about bringing debut works to stages in new markets and seeks new writers and performances ready to make their Sydney, Australian and even World premieres. Carly’s portfolio demonstrates her priority of telling the stories of real, empowered women and bringing light to important social issues on stage.
For Theatre Travels, Carly has Directed and Produced; In Their Footsteps and Girl Shut Your Mouth (NO: INTERMISSION 2021), Girl Shut Your Mouth (Adelaide Fringe Festival 2020), Final Placement, Falling Skies and Albumen (NO: INTERMISSION 2019) and The Laramie Project and The Laramie Project: 10 Years Later (Seymour Centre 2018). Carly has also produced Rattling the Keys and Lipstick (NO: INTERMISSION 2021), 5 Lesbians Eating a Quiche (Sydney Mardi Gras 2021), Girl Shut Your Mouth and Bleach (Adelaide Fringe Festival 2020), Broken, Bleach, Lady Liberty and the Donut Girl, Infidelity and Enlightenment and Queenslander (NO: INTERMISSION 2019).
Carly was selected for the 2019 Broadway Evolved Educators Seminar in New York. In 2018, Carly worked on Carmen: Live or Dead (Hayes Theatre) as Assistant Director and Company Manager. Carly has also diversified her experience in and knowledge of the industry by working for Sydney Theatre Company’s Philanthropy department, Michael Seider’s Presents as Production Assistant and through secondments with the Gordon Frost Organisation (Company Management), Ian Phipps Publicity (PR) and ACMN (Marketing and Advertising). Carly is
the editor of Theatre Travels reviews and a theatre reviewer.
As the Producer and Co-Curator of NO: INTERMISSION, Carly is extremely excited to finally welcome you to this year’s festival and has been honoured to work with such talented, committed and considerate creatives on brining this festival to life.
After studying Theatre and Live events in high school Maddie graduated with strong passion for theatre but with no real direction on how to be involved. After many years working in the corporate world she finally took the leap to begin studying theatre production and has recently graduated from the Academy of Film, Theatre & Television (AFTT) and is beyond excited to be working on her first professional production!
While at AFTT, Maddie was the Assistant Stage Manager in Dino Dimitriadis’s production of Clinchfield at Downstairs Belvoir and the ASM on Anthony Skuse’s production of Yerma on the Belvoir main stage. She was also the Stage Manger on Sean O’Riordon’s production of Henry V and Andrew Lindsay’s physical theatre production.
Maddie is excited to expand on her knowledge and passion in 2021as her career continues.
James is a sydney-based actor, designer, and dramaturge with a passion for new and reimagined works.
James graduated Design Centre Enmore with an Advanced Diploma of Live Performance Design and Sydney Theatre School with an Advanced Diploma of Acting. He has also been studying classical voice for the past 10 years.
No:Intermission marks James' first design work in the industry and he can't wait for everyone to see the incredible stories borne of this collaboration.
Capri Harris is an emerging lighting designer.
Still in the process of graduating with a Bachelor of Performance - Dramatic Arts from the Australian Institute of Music she is eager to begin her professional career. This will be Capri’s official theatre lighting debut having designed, assisted and operated for university shows; ‘How To Disappear’ (LA/OP, 2018), ‘As You Like it’ (LD/OP 2019) and ‘Love and Information’ (LD/OP 2020) as well as lighting for musicians such as Ali Barter, Alex Lahey, The Kava Kings, The Moving Stills and Nathan Cavaleri as part of Australian Music Week (LD/OP 2019). Capri is passionate about making theatre easily accessible so it can be enjoyed by all.
Isabel is a theatre-maker and writer based in Sydney. She discovered her passion for theatre at a young age, starting with acting and later moving into behind-the-scenes roles. Isabel believes that theatre is a unique art form which has the power to incite change and create meaningful dialogue. She is very excited to take on the role of Assistant Director for Rattling the Keys at the NO: INTERMISSIONS festival. In 2018, she made her directorial debut at the Short and Sweet Festival in Sydney, directing ‘Scripted’, which placed third in her show.
Isabel is also passionate about filmmaking. In 2021, she wrote and directed her first film 'Strangers', a short realist drama. She has also crewed on a variety of other projects, including short films, music videos and documentaries. Completing her studies this year, Isabel is looking forward to continuing her exploration of the creative arts, across both theatre and film.
Rob is a singer, musician, director and sound designer with a Bachelor of Sound and Music Design from UTS. He found his start in performance through university theatre with his debut role as Princeton in Intercol Musical's 'Avenue Q', and would go on to be heavily involved in uni theatre through Intercol and MUSE over the course of his degree in the role of performer, music director, producer, instrumentalist and graphic designer.
His most recent project was directing 'Reefer Madness' with MUSE, which closed in October of 2019 to rave reviews and a completely sold out run. Rob was also one half of Happy Rainbow Friends Productions, a charity side project that facilitates queer theatre and performance fundraisers. He produced and performed as Hunter in 2019's production of [title of show] and later produced 'Flamin: A Queer Vaudeville' at the Red Rattler, raising money for Twenty10 and FIRE respectively.
You'll also see Rob hanging around the local comedy scene, where he's performed and designed for various Sydney Fringe shows (1980s Depression: The Musical, Farewell Tour, Open Dyke Night) and you can catch him at The Chippo once a month accompanying The Laugh Tub, an improvised character talk-show.
When he's not providing creative and emotional support for other artists, Rob enjoys songwriting, whisky and photomanipulation.